Freia Handpaints YarnsDyeing has sort of felt like a homecoming for me. As a photography student at the San Francisco Art Instiute in the 80’s I spent hours in the darkroom color correcting my photographic prints. Intensifying reds, taking greens out of blue to make it true, turning a pink into purple. When I learned fiber dyeing I was amazed to see that the process is almost identical to darkroom work; changing filters and altering exposure time to get the perfect shade and saturation were not unlike the additive and subtractive process when creating my pigment percentages and solution strength for the perfect depth of shade in my yarn.
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